I respectfully acknowledge the Darug, Wiradjuri and Gundungurra people who are the traditional custodians of the land I call home. I pay respect to their Elders — past, present and emerging — and acknowledge that sovereignty was never ceded and this land has always been under their custodianship.
Julie Visible (Julie Williams) based in the Central West region of NSW, is a visual artist whose artistic practice examines the contemporary world and the effects of daily life on humans and the environment. Visible addresses our vulnerability as a species disconnected from nature and from ourselves.
Over three decades, Visible has been constantly shifting and reinventing her practice, predominantly based in photo-media. Her interdisciplinary approach employs performance, sound, moving image, collage, installation, digital technologies and new media; across the past, present and future of photo-media.
Visible engages quietly, directly and intuitively with the light and darkness of the Australian bushland to create layered, painterly imagery which imbues a subtle sense of unreality. Immersing herself deep within the landscape highlights her search for reconnection and an ecological healing. When the artist herself appears in the imagery, it as a translucent figure displaced and searching. Her work queries the spirit of place and how humanity can inhabit a location more fully.
Visible was born at Muswellbrook in NSW and has a particular interest in the storytelling of the history of women in the regions. Her most recent solo exhibition The Carousel of Invisibility was unveiled at the Muswellbrook Regional Arts Centre in mid 2025, after she was awarded and completed an Artists Residency in 2023. Exploring the life of the female Bushranger Jessie Hickman, Visible ventured into isolated bushland along the fringes of the Wollemi region, where she encountered traces and murmurs of Hickman’s life. This body of work is a reflection upon human inhabitation, identity and the invisible history of women. The Invisible Horse a photographic diptych from this exhibition was selected as a Finalist in the 2025 Hazelhurst Art on Paper Award.
During 2023 Visible was a finalist in the 2023 Olive Cotton Award and exhibited in a group show THERE IS NO LEAD MINE HERE at WAYOUT Artspace in Kandos. Visible received an Honourable Mention in the 2022 Mullins Conceptual Photography Prize held at the Muswellbrook Regional Art Centre. Two works, Moth and Olinda from the exhibition Smother were selected as finalists, with Moth receiving the award. Smother was first exhibited in 2022 for the Cementa22 Contemporary Arts Festival and was installed in the Kandos Museum during the festival.
Group exhibitions during February 2021 included NO SHOW at Carriageworks; Grounded at Gaffa Gallery and HERE/NOW at Orange Regional Gallery.
In 2020 Julie Visible's moving image work Sculpting in the Pyrocene; A Disappearing Act (2019) was selected as a Finalist in the Heysen Prize for Landscape and was one of seven short films chosen for the The Picture Show at the End of the World; a presentation by the Dark Mountain Project with an online screening event of international, uncivilised films including a post screening conversation with the filmmakers.
Sculpting in the Pyrocene; A Disappearing Act (2019) and the photography series Photographer Unknown (2019) were also selected for installation in the Foyer of the National Film and Sound Archive in Canberra, as part of the Art, Not Apart Festival (2020).These two works were initially created for Here, Not Here (2019), an exhibition of regional contemporary artists curated by Dr Andrew Frost for the Cementa19 arts festival in Kandos.
Visible is a recipient of artist grants including; Arts OutWest Arts Restart Micro Grant (2021); NAVA Artists’ Benevolent Grant (2020); NAVA Marketing Grant for NSW Artists (2011); Australia Council VACB Artists’ Project Grant (1992) and NSW Ministry for the Arts Marketing Grant (1992).
Visible has received a Highly Commended award in the Muswellbrook Photographic Award (1994) and Commended Awards in the Josephine Ulrick and Win Schubert Photography Award (2008), the Muswellbrook Photographic Award (2010) and Art in the Mountains (1995).
Since 1993 Visible has been a finalist in national awards including; Olive Cotton Award (2023, 2017); the Mullins Conceptual Photography Prize (2022); Fisher’s Ghost Art Award (2017, 2016, 2014); Paramor Prize (2015); Heysen Prize for Interpretation of Place (2020, 2012); Wilson Visual Art Award (2012); National Photography Prize (2010) and the Muswellbrook Photographic Award (2008,1993).
Since 2011 Visible has worked with Sandy Edwards, Director of Arthere who curates solo exhibitions for Williams including; The Tears at Barometer Gallery, Paddington (2016); Reflections: Fire and Water at CK Gallery, Newtown (2014) and Water Magicians Syndicate @ Danks, 2 Danks St Waterloo (2012). Group shows include; Arthere at Sydney Contemporary Carriageworks (2018); October Unseen at 10x8 Gallery, Chippendale (2014); Summer Show at Black Eye Contemporary Photography Gallery, Darlinghurst (2014) and Catherine Cloran, Matt Palmer, Julie Williams at Arthere Gallery, Redfern (2012).
Creating support networks with regional artists has provided Visible with professional development opportunities including; Cementa Regional Artist Professional Development Program with Lead Mentor Amala Groom (2020); three Master Class Collage Workshops with Deborah Kelly at Bathurst Regional Gallery (2019) and at WAYOUT (2019, 2020) and is a founding member of both the regionally based Artist Run Initiative WAYOUT Artspace (2020) and the Women with Knives (2019) collage collective at Kandos.